Bizar Bazar, Circus Metal Maniac, 2013
Okay, on to something completely different, even if again from Italy! Bizar Bazar are a metal band that describe their style as “alternative freak metal”. And you know what, that just hits the mark pretty well! I must admit I am not very much into this type of metal and that is mainly because of the vocals. Or vocals is not always the correct term, often it is more of a performance styled delivery. Very dramatic and theatrical.
But I can understand the band for doing this. After all, the title is Circus Metal Maniac, and they sure did their best to create an album that reflects that title well. Sometimes it is a bit thrashy, and was I reminded of Megadeth. And the songs where actual singing is most important, I could handle pretty well.
Still I totally respect Bizar Bazar for creating this freaky metal album. I am also sure a lot of people will find this heavily entertaining. Or heavy and entertaining, you choose.
I mean, it sounds like one would expect, I do feel they know what they are doing, and somehow it all makes sense. You just have to keep in mind the intention is to express metal in a maniacal circus environment and make sure it is all covered under that alternative freak metal banner. Expect the unexpected, the strange and the weird.
And if that is what you dig, then grab your shovel and make it off to over yonder. Prepare to be amazed…
Ladiscordia, Orizzonti Di Cartone, 2012
On offer for your reading pleasure is another album presented by Fabrizio from Coral Riff. The band is called Ladiscordia and the album Orrizonte di Cartone. As I said before my Italian is far from brilliant, yet I am quite sure the title translates into Cardboard Horizon.
In my humble opinion the music on this album is quite different from other outings from Coral Riff. I would describe this as rock with strong alternative touches. And still, the first name that popped up in my mind when I started listening was the Golden Earring. Go figure 
. With 10 songs and a total running time of just under 30 minutes this isn´t a very long album. In fact, I know of single songs that top that. But music is not a competition, and if the band believe this to be the best they have to offer at this moment, then this is what we deserve to get.
Again I had no problems with the vocals being in their native tongue. The guitar driven rock works well and I quite like the way they infused the alternative touches into the songs. Mostly by adding some strange sounds here and there and by utilizing guitar themes that create an alienating feeling. And sometimes a piano can be heard. It is always hard for me to throw names at you. A song like L´Organo Di Vetro has some The Cure references, but rocks a lot harder.
So if the names mentioned strike a chord, or if you´d like to try something new, check this out. I like it.
Craig Karolus, Journey Of Divine Instrumentation, 2013
One of the benefits of doing this, is that you sometimes get to hear music long before it is officially released. So it is great when an artist confides in you enough to let you listen to a new album and have a peek at the artwork. Thank you Craig!
In this case I am talking about the third release from Craig Karolus called Journey Of Divine Instrumentation (JODI). Find my thoughts on his second album here.
And that title is chosen with a purpose, to honour the long missing Jodi Huisentruit. Craig grew up with her and her 1995 disappearance was devastating. Several tracks on this album are dedicated to her, and proceeds of them will go to the Jodi´s Network Of Hope. A good cause if any! On his website you find some footage about this case.
So on to the music then: If you have heard of Craig´s music before, then it will not come as a surprise that this album is again a very peaceful and moody affair. Beautiful serene melodies over sonic soundscapes built on piano and strings. Included in the arrangements are for instance acoustic guitar, harp, female voices and a trumpet in Veterans and Jodi. Alas I do not know if it is all done by Craig, or if there are guest musicians involved, but it all sounds really convincing!
As Craig always says: “relax, it is new age music at its finest”. So if you are into this genre, or need some music to chill out to, take a dive in, as this is again a wonderful instrumental album! Release date is July 4, 2013.
LITTLE ATLAS Releases “Automatic Day” on 10T Records
Little Atlas returns from a 5-year absence with their brand new, full-length CD release, “Automatic Day.” Featuring 10 tracks, “Automatic Day” will be released by 10T Records on June 3, 2013, with an official brick and mortar retail street date of July 18.
“Automatic Day” is easily the band’s most mature and significant work to date. All of the signature elements of the Little Atlas sound are firmly in place, yet tempered with a darker, more cinematic foundation, stronger production, and an overall more aggressive approach that takes their already unique sound into adventurous and uncharted new territory.
The songs on “Automatic Day” soar with a dynamic display of emotion, introspective lyrical insight, and soaring melodic hooks. From ethereal soundscapes to unexpected angular twists, from pastoral calm to caustic bursts of heavy dissonance, this is a new and evolved Little Atlas that is both unclassifiable and undeniable. 3-time Grammy Award-winner Joe Palmaccio mastered the final mixes of “Automatic Day.”
“We are truly fortunate to be able to continue to create music together, ten years after our first release,” says lead vocalist and keyboardist Steve Katsikas. “I don’t believe the band has ever played with such confidence, such cohesion, and with such focus. We created exactly the album we wanted to create.”
“This album represents tremendous growth,” echoes Little Atlas guitarist Roy Strattman. “It’s as if the chemistry of the band has become much stronger during our five-year stretch between albums. “Automatic Day” is somehow more than the sum of its parts – the product of a group effort that transcends each individual’s contributions. It is also our best sounding album: warm, detailed, and sonically thick.”
Here is a link to the video for the leadoff track “Oort”: http://www.youtube.com/watch?v=iNIf3rIUlsk
Here is the link to the video to the new track “Apathy”: http://www.youtube.com/watch?v=G5B69s3DsYw
“Automatic Day” by Little Atlas is available for immediate pre-sale through the 10T Records website. All orders received between now and the direct release sale date of June 3 will ship by no later than the end of the week prior to the release. Additionally, all tracks from “Automatic Day” are now available to preview in their entirety on the Little Atlas artist page at 10T Records:
http://10trecords.com/artists/genres/progressive-experimental/little-atlas/discography/
After July 18, “Automatic Day” will be available through your favorite retail outlet for immediate purchase.
For further information:
Steve Carroll
10T Records
10 Tornado Entertainment
Black Country Communion, 2, 2011
With a title like this, it takes little imagination to figure out that this concerns album number two from the rock super group that is Black Country Communion. After all Glenn Hughes, Joe Bonamassa, Derek Sherinian and Jason Bonham all are respected musicians with an extensive career. And let us not forget producer Kevin Shirley, whose contribution we should not underestimate.
When reviewing the first album, I already said I wanted more. And more we got, as that third album is also already available. But this one delivers the goods for anyone who is into Led Zeppelin vibes, coupled with heavy blues infused rock. The Bonham grooves are at it again and they are powerful. The lead vocals are traded between Joe and Glenn and despite their obviously very different styles, they match. There are vintage moments, intimate parts, extended soloing, just about everything we need.
A track like Save Me would have made Page and Plant proud, and it still does not sound like a rip off. The moods presented are just great, and that orchestral riff is awesome.
It is tempting to repeat myself so I will make this short. This is another great collection of songs by a great band. Mandatory listen!
Magic Pie, The Suffering Joy, 2011
When I started this blog, now a little over 3 years ago, Magic Pie was among the first bands to get a feature here. So I am really happy to write about them again, as I believe this band is criminally underrated. But maybe that is just my misconception, and all you guys and girls already own this album?
Anyway, just in case some lines about why I like this band so much. Should you not be aware: this is a progressive rock band, and they frequently use the hammond organ (yummie!). Their songs will tick all the right boxes for any conservative member of the prog rock community and I still think they are a modern band and enrich their music with a lot of contemporary ideas. So you still have the epics, (A Life´s Work with 24 minutes and Tired with 15 minutes) the instrumental parts, solos, dynamics, and whatever we think necessary. But also fantastic vocal melodies, awesome harmonies, intricate arrangements and more exotic instruments like the flute. And all played with style and an awesome level of energy. And more musical ideas in one song than many can put in a whole album. And still without me ever getting a lost feeling.
So you bet I like this band and fully recommend them to all of you that are still reading. I mean, all the others already own this, or?
Gran Turismo Veloce, Di Carne Di Anima, 2013
The progressive music scene in Italy is still very alive, and thanks to Fabrizio from Coral Riff management, I am able to present to you this band with the wonderful name Gran Turismo Veloce. Well, my Italian is not very good, but I think it is something about a speeding car. The album title loosely translates into The meat of the Animal, but again feel free to comment if you know this interpretation to be wrong.
But on to the music, which is what this is all about anyway. First song Sorgente Sonora has a great groove in 5/4. And another fine thing is the keyboards are mainly piano and accordeon. Gives the track a lot of breathing room. Next song Misera Venera is a very emotional song (even if the Italian language in my ears always has a certain drama to it) with outstanding delivery. Quantocamia is a surprise, opening with a heavy riff which is developed by the whole band, before it all breaks down into a very chilling atmospheric piece with great keyboards and a lyrical guitar solo. Wonderful!
So you may have noticed we´ve got something going on here. This proves to be an album that is easy to listen to, and still has a lot of variation, but that is of course a natural style ingredient. Don´t worry about the language, the music transcends the message. Fans of the genre, whether into the Italian style or not, should track this down.
Rick Springfield, Songs For The End Of The World, 2012
To some, Rick Springfield will be most known for his acting career. Yet I bet most reading this blog are more familiar with his other, and to me more important, side, that of singer. And that is a long career, yet the guy seems to never age. Damn… And it is not that I am an avid follower of all the musical output of Rick. I just buy a record here or there. But as I had been reading a lot of good stuff about this 2012 album Songs For The End Of The World, I decided it was time to pick this one up. There are 4 versions available, which can be identified by the different front covers. Don´t know if they differ in songs as well.
What strikes me most about this album is its sheer energy! Springfield seems to be completely in touch with contemporary rock music and has delivered a vibrant CD that is just filled with great hooks and catchy melodies. I think every of the 12 songs could be a (hit) single. Which is something I frankly care little about as I don´t listen to radio anymore. But if I did, music like this would surely light my days!
So if you lost touch, this is a great album to get back into the groove with. Even if you are only vaguely curious about the guy, give this a try. It rocks and is just very tasty!
Mystery, The World Is A Game, 2012
The Canadian band Mystery has graced these pages before and while it took them a few years to release this album, another release is already imminent, so as usual I am running late. But don´t let that stop you for checking out this one, as I think it will proof to be worth every dime you invest in it. That is, if you are into quality progressive rock.
Core of the band is again singer Benoit David (back from his fling with Yes) and Michel St-Pere (guitars and keyboards). Antoine Fafard is playing bass and Nick D`Virgilio has found another home after leaving the drum kit of Spock´s Beard behind. Together the quartet have recorded a massive album that is a showcase of everything that is to like about this type of music. It may be preaching for the converted (as I bet most self proclaimed haters of the style already skipped reading this), but Mystery are a band that proves that music in this genre cán be elaborate yet melodic and catchy. Interesting and complex and still strike an emotional chord. Rock hard or be gentle like a soft summer breeze. Well, you get the idea.
For me it is easy to listen to this all day and never get bored. Premium stuff, buy it!
Riverland, Self Titled, 2013
While on the subject of more calm and peaceful music, here is another one for ya. Probably new to many, Riverland is the combination of singer Mikko Heino (Minutian, Montage) and Roni Seppänen (Tracedawn, Devil I Know, Montage) on guitars. But it is not new to them, as they have been playing folk festivals, coffee-houses and bars in Finland since 2008.
The idea of this album is the concept of people helping each other, taking care, and falling in love. And while the music was written by the duo, they brought in Aki Väkevä for the programming of drums and the mix of the final results.
Style wise this is a hybrid of sorts. Modern pop, some folk, and some progressive and psychedelia to balance it all. And if that sounds strange, the music is not. With 7 tracks clocking in at just over 21 minutes it might not be a full album by nowadays standards. But they surely succeeded in creating a very moody and atmospheric album. Surprisingly there are a lot of keyboards present as well, something not mentioned in the biography. All in all a nice way to get to know the band, and if you are into relaxing music, this is surely something to hunt down. Pleasant!
