Hear it – Enjoy it – Tell it
Please support the Blog!
If you like what I do, please consider to help me do more:
Categories
Buy Rock Company CD’s?
Visit Rock Company for all Rock Company releases and enjoy #musicforallmoods. Hard Rock, Prog, Ambient, all there.
Archives
Twitter
Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 4 other subscribers

CD Reviews

1 2 3 81

Xavi Reija, Reflections, 2017

xavi reija - reflectionsThe previous album from Spanish drummer Xavi Reija was one in which he excelled in jazz and free form songs. On his new album he  works with New Yorker Nitai Hershkovits on piano and Pau Lligadas on upright bass. And while they both may be young, they already have an impressive curriculum. The result is an album that quite surprised me! And the first hint is that the 11 songs on the disk clock in at just under 40 minutes. Which in comparison to previous output is fairly short.

Now, when you start reading the inside text it reads that this is a recording of dance music. Though definitely not in a regular sense. But when you listen to the CD, it becomes clear that there is a certain lightness on offer here. Restrained elegance as it is so aptly described. While there are still parts that remind us we are dealing with virtuoso players who like to experiment and improvise, there is no denying that these songs speak easy to (at least) my ears.
So, while a drummer, bassist and pianist are reasonable common in jazz land, this trio have managed to come up with a rather delightful album. Joyous and emotionally charged, living and breathing music performed by authentic musicians.

If anything, this proves that music from the heart always reaches out and touches anyone who will listen. Wonderful album.

Website

Wingfield Reuter Stavi Sirkis, The Stone House, 2017

Yes that are 4 names and thus four musicians. Mark Wingfield is an innovative guitar player who constantly is trying to create new sounds with his instrument. Markus Reuter plays TouchGuitars (put simple: 8 string guitar played like a stick) and is also a member of The Crimson ProjeKct and The Stick Men. Yaron Stavi plays fretless bass and Asaf Sirkis is the drummer in this collective. All are seasoned players with many years of experience.

And if Moonjune Records and or The Crimson ProjeKct rings any bells, you will already have a feeling about what you can expect from this album. Indeed there is a King Crimson influence floating around. Not the song aimed melodic KC, but the free floating soundscape version. Maybe with a little more guitar. Because these cats just set up shop in a studio and began improvising and recording. In that sense this is a 100% live album, resulting in 6 songs from 5 to 14 minutes each and a total playing time of an hour.

And while I applaud the stunning capabilities of these men, I also reckon this is not for everyone. It probably takes a certain level of listening experience to appreciate this. So for the adventurous a treat, others better listen in first.

 

Lost Lakes, Self Titled, 2016

Lost-LakesAlas I cannot remember for the life of me how I got this. And unfortunately I did not receive any info with it either. So with the help of internet I have found Lost Lakes to be a four piece band. Central is the collaboration between Corey Mathew Hart and Paul Mitch, who met at a songwriting competition and just clicked. The style is described as pop infused folk rock, which I believe to be pretty accurate.

So in general this is a lot more mellow as most of the stuff I have been listening to off late. But that takes nothing away from it feeling authentic and heartfelt. The 12 songs all clock around 3 minutes and sometimes even have a hint of Country, or Americana if you will. All arranged with the song in mind, so no room for musical indulgence. Lots of vocals and melodies that want your attention.
So while this isn’t something I would usually pick up, I must confess that it is no punishment to listen to the album. At all! No, it is very well done and sounds honest and pure. In a time where fake music seems the standard, this is something to applaud.

All songs are of the same calibre so if you have a listen and still like it after Digital Tears and slight personal favourite Can’t It Wait, just buy it. Very enjoyable.

Website

Tohpati Ethnomission, Mata Hati, 2017

tohpati ethnomission - mata hatiIndonesian star guitar player Tohpati has been featured here quite a few times with all he is involved in, and now he is back with his band Tohpati Ethnomission. Since this is released on the Moonjune label, yes this is an instrumental fusion / jazz rock album.

First thing worth noticing is that opening song Janger is accompanied by the Czech Symphony Orchestra. Besides that it is another fantastic slice of music, full of power, groove and melody. Next track Pelog Rock might be one of the more heavier moments ever recorded by Tohpati. But it is another corker! Tanah Emas is more mellow, the flutes give it that Eastern and folky feel. And the combination of folky melodies, rocking jazz and of course solos on all instruments involved can be heard throughout the album.
The result is another Moonjune album that is fairly easy to digest. All songs have melodies to identify them with and still enough going on to make the album grow on you with repeated play. Hey and in Amarah you sometimes think a prog metal band joined! So yes, also the solos are more flashy here than ever before.

So happy to report this album is a worthy addition to the Tohpati catalogue, Moonjune fans can buy on sight, but I would recommend to give it a try to everyone who likes fiery guitar coupled with a keen ear for melody.

Website

The Sighs Of Monsters, Lie, 2017

the sighs of monsters - lieOh yeah, I cannot help but like a band who clearly state they love albums and respect the album as an art form. That’s the spirit boys! So hailing from London UK we have this quartet and their second album (after 2014’s Ground).  On it you will find 12 songs with a total running time of 46 minutes. In a way one could consider this as an art-rock or prog band. But actually that would be selling them short as the songs vary too much to put into one category. On the other hand, that might just be a very progressive thing…

Listening to the album I was hooked from the first bars of I Hear Drums. Call it infectious, call it catchy, call it what you like, it is a damn clever way to start. From a bit of distance it is quite remarkable how 4 guys can deliver music so diverse and still sound spot on in every second of it. Whether it is a more elaborate track like Superman In The Silence, the almost Johnny Cash sounding Fight or the almost New Wave sounding song like Hello. And if you now think this is a patchy work, forget it. Don’t know how they do it,  but nothing seems out of place here.

So there you go, the album as an art form and The Sighs Of Monsters as the advocate, I love it.

Website

Dewa Budjana, Zentuary, 2016

dewa-budjana-zentuaryOne of my favourite Moonjune Records artists, Indonesian guitarist Dewa Budjana, has found a new home in Steve Vai’s Favored Nations label. And while I don’t know if that was such an extra inspiration, the result is we now have a 2 disc album on our hands. And looking at the guest musicians list, things must be going well! I mean, Gary Husband, Tony Levin, Jack Dejohnette and Guthrie Govan to name a few. Not bad!

So on the the music. Both disc’s hold 6 songs and clock around 50 minutes. The reason I like Budjana’s music so much is that he always writes great melodies that easily capture your attention. Not something simple as this is mostly instrumental music. Yes some tracks have vocals, but for the larger part they serve as an extra melody instrument. From disc one I totally enjoyed songs 4-6, Suniakala, Dear Yulman and Renangat Langit. These are prime examples of the beautiful music these men are capable of.
Alas the rest of disc one, and most of the music on disc two, is of a more abstract level. The musicianship is of the highest quality (as usual), but the themes are just less obvious and there are tons of improvisations going on. This makes it harder for me to connect to the music. Of course parts here and there are still attracting my attention fairly easy, like in Manhattan Temple and Dedariku, but overall I think I still need to spend more time with the music to let it sink in.

So am I disappointed? Not really, even if I would have preferred a single disc with the best songs on it. But the quality on offer is always too high to ignore. It just needs time and effort!

Website

The Aurora Project, World Of Grey, 2016

the aurora project - world of greyTwo years back The Aurora Project took a serious blow when rhythm guitarist and lyricist Marc Vooijs suddenly died. The band took a year off to decide on their future and the outcome is clear, the band continues, but without replacing Marc. This means their sound is now more rock than metal, with bass and keyboard filling the guitar gaps.

World Of Grey is a concept album based on an idea from Marc but this time Mox stepped in the writing shoes. It deals with the idea that the established world order is increasingly restricting the people and a grey blanket of control and repression descends over the world. How the album art fits in is not quite clear to me, but I guess that is artistic license.
While listening to the album (which does work as single songs by the way) I noticed it took the band a song or 2 to really find their own feet. Opener Expect Us sounds a bit like your regular neo prog band but from then on it is onwards and upwards. Stone Eagle is a great slow burning song, Deadly Embrace another song with catchy melodies and rather tasty guitar work. Okay, sometimes it still sounds a bit Marillionesque, but with more bite, so no problems there.

The band will resume live duties this year, so be on the lookout for that. The songs on this album will work, no doubts in my mind! If you like your prog melodic and with great playing, make sure to listen in.

Website

Songsbury, Self Titled, 2016

songsburyMhm, not sure how this ended up on my desk. But anyway, I got it, so I listened to it. This is clearly very much in the pop genre, with a dash of dance influenced beats added. Not something I would usually listen to.

But to be honest, Songsbury, which is in essence Mat Teofilo handling everything except for guitars in last track Last Goodbye, knows a thing or two about writing songs. Opener Till The Day I Die is carried by his vocals, and they are good. Next track Common is also very enjoyable. I Think I’m In Love did not do that much for me, but Beautiful is just that. Very nice vocals again, and the piano playing here fits the mood to the tee. In this genre I will prove even worse in referencing other artists, but to me She Made Me Do It sounds a bit like one Bruno Mars. Which also means it is a track that does not work for me. Last Goodbye ends the EP and yeah, a little guitars added here indeed. Immediately gave it a bit of extra sizzle with for instance a great solo. And again Mat proves to be able to write commercial songs that can appeal to many.

So this one is a bit out of my zone, but some songs proved quite good.

Website

Shaman Elephant, Crystals, 2016

shaman elephant - crystalsKarisma Records are again bringing us an interesting new band from Norway. So let me introduce you to Shaman Elephant, a 4 piece from the Bergen region. With a style that is firmly rooted in seventies psychedelic and progressive hard rock. The colours on the front cover already hint at that psychedelic part, but let me tell you, a lot of groove is present in this band.

Opening with the title track, an 8+ minutes cracker, that  showcases all you are to expect from the band. Cool riffs, vintage sounds and power. But also more moody parts, extended soloing on guitar and keyboards (Deep Purple anyone?) and convincing melodies. So what more could we ask for? Well, that might be tracks like Shaman In The Woods. That turns out to be filled to the brim with tasty melodies over a steady groove, but does that in less than 5 minutes, so might attract some airplay.
And you gotta love the bass riff opening I.A.B, with that little distorted sound. But in fact every song on offer (6 in total, running 45 minutes) brings something exciting to the table.

Yes it might be retro in parts and roots, but it also has a modern touch and does not sound outdated at all. The album is very expressive, fresh and convinces on all parts. I loved listening to it, so some addiction warning is in order here 🙂

Website

Terry Draper, Window On The World, 2016

terry draper - window on the worldRemember Klaatu? No? Shame, anyone into progressive pop / rock should own their back catalogue, especially the album Hope. But anyway, one of the core member of Klaatu was Terry Draper, who continued to release music after the demise of the band in the early eighties. Recently we got in touch and he was so kind as to make this available to me.

I guess the “the lost 80’s tapes” sub title really tells you a lot. But what it does not say is that this is really a release on USB. It includes not only the 10 tracks from the album, but also videos, an extensive booklet and info sheet and no less than 12 bonus songs. Terry calls 2 of them an attempt at Euro-pop, 5 are songs about loved ones with female lead vocals, and 5 are demos in various states of completion.
Now, if you are familiar with the Endangered Species album from Klaatu, then I think the 10 songs will sound familiar as I think they come closest to that period in the Klaatu history. At that time there was more focus on straight songs it seems. And there is really nothing wrong with that as they’ve always shown a keen ear for melodies. That “The undercover Beatles” rumour from back in the day had to have a little root… Standout tracks for me are opener I Have A Dream, You Don’t See Me Laughing and closer and title track Window On The World. But I am sure that any song would have fitted well on any album.

So this makes me a happy man, and not only for the insights in the more obscure tracks!

Website

1 2 3 81