Great! Am I finally finding the time to write about this album, the first with new singer Rob Moratti, news is popping up that Michael Sadler has returned to the fold and will once again tour with the rest of the boys… Man, life is what happens while you are planning…
So for all of you out there who are wondering how a Saga album without the voice of Sadler sounds, this one is for you.
In everything this is another great Saga album. Just the singer´s voice sounds strange. Oh no, that is where we started. All fun aside, of course Rob Moratti is a competent singer. Coming from a more melodic rock background, his keen ear for melodies is a valuable addition to the already impressive song writing abilities within the band.
If you have been following the career of Saga, then you will know that in recent years they have gone from strength to strength, releasing a number of albums that are on par with all the classics from the past. But as I am quite fond of all their output, counting their concept album Generation 13 as one of my fave´s, you might not want to take my word for it, LOL.
This CD sits comfortably amongst their catalogue. Strangely familiar so to speak. The title song is musically songbook Saga, but has minimal vocals. Step Inside is typical Saga, albeit with a different voice (duh). Hands Of Time has a different approach than we are used to, sounding almost like a rock ballad, but is nice nevertheless. To conclude, no one is pretending to be something they are not. Saga is Saga, a good singer is a good singer. The combination works for me.
This singer first came to my attention in the radio show Progressive X Grooves from Pieter van Veen, who also featured my band Chinawhite at the time. It sounded promising, so I was very glad Sandra from Sky Rocket Records popped a disc in the post for me.
And even better, I was immediately hooked to this album. Doris has a wonderful warm voice with just that little edge I like so much. And while the music is labelled as classic prog, I think that is selling it short. The prog tag is probably caused by the way the songs are approached and arranged, but I think that any serious rock or adventurous pop fan will find this a worthwhile addition to the collection.
The songs are fairly short, with all but one ranging between 3 to 4 minutes. Yet every song counts. Melodies are instant, playing is impeccable. And just listen to Doris stretch her vocal cords on opening song What Are You Saying. Absolutely great!
The regular use of Hammond and the inventive guitar playing is not hurting either. And despite the songs being short, the arrangements are impressive and very inventive. I like that a lot! So I will just say this: pick it up, you won´t be disappointed. By the way, I also see it advertised with a different front cover, but don´t know about that.
Personal play tips: best enjoyed as a whole.
The subtitle of this package (2 cd´s and a DVD) is 1973 – 2008, Live in Paradiso. For those of you who don´t know, Paradiso is a concert hall in Amsterdam, situated in a former Church. A nice hall!
So from the start we know that Kayak celebrated their 25 years of existence with this concert. And what a concert it was. From the go you get the feeling you missed something if you weren´t there. And I wasn´t, so boy am I glad to be able to listen to this!
A lot of tracks are from the more recent albums, and all well executed. I think their use of male and female vocalists really works well for them. There is a lot of variation between the songs, but even the most quiet pieces are awesome. What a feel. And as they use 2 guitar players now, this sure rocks when it needs to. Time flies by listening to this, and repeated plays are welcomed. So this is quality folks.
This is a stunning show with only highlights. To put it simply: if you like Kayak, buy it. If you once liked Kayak, but are not sure now, buy it anyway. If you think they don´t rock, buy this to prove you wrong.
Considering the work of keyboard player Ton Scherpenzeel in Dutch theaters, it is not strange that you will find a lot of variety on the double disk. The opening is musical like, with choirs singing and all. And truth be told, they pull it off greatly. You will have understood this is a concept album about the (in)famous French prophet. At times a storyteller is used, though I must confess I am not all too keen on that. It´s not that it is bad, it´s just not my cup of tea I guess.
As said, there is a great variety between the songs at hand. Luckily I don´t feel the story is interfering with the music. A lot of the music is typical Kayak. If you know and like them, this means you will like this as well. Several lead singers (male and female) can be heard. They personify different characters in the story. Some songs rock, some are very subtle, you hear influences from for instance Irish Folk, and it is always melodic. All done with care and competence, without becoming all too predeictable. These guys and girls are too experienced to let things get out of hand. All in all an album that will grow on repeated play, so buy it when you are into classic prog.
Personal play tips: Friend of the Stars, Pagan´s Paradise, The Inquisition, A Man With Remarkable Talent, The Flying Squadron, The Centuries.
The first song Over Krakatoa is not what you might expect. Distorded vocals give it a strange sound. From then on things turn into “normal” mode. With 3 songs beyond the 10 minute milestone, there will be much rejoicing in the camp of serious lovers of symphonic rock. Personally I don´t think that is a selling point unless a song needs it. Too much widdly widdly bits, can also prove you try to hide the fact that you have nothing to say behind brainless note playing. But anyway…
I must confess I don´t think the vocals are their selling point. But they don´t spoil everything either. Just kind of regular, nothing special really. A good thing they use harmony vocals to spice things up.
Musically speaking Nektar has a lot more to offer. Nice melodic guitar solo´s, competent musicians, and even the odd organ. A pity they use it rather cleanly. But fans of classic prog can rest ressured, Nektar offer songs with light and shade, time changes, clever arrangements, etc. And they keep it melodic, so all in all it is a positive affair.
I do think this album will grow on me over time, but that is always a good thing.
Personal play tips: Lamorna, Doctor Kool, The Iceman.
Ahh, a controversial album among the Yes fanbase. Must confess I never really understood why! Trevor Horn sounds a lot like Jon Anderson, and musically this is typical YES. Or is it just because the little big man isn´t the one singing? Mmhmm, lets see.
The album is very recognisable, melodic, well crafted, well executed, housed in a Roger Dean painting, great singing from Trevor and Chris. Maybe a little less esotheric. But I prefer it above Tormato every day of the week. So it must be me
This remaster has no less than 11 bonus tracks. Some of which are heavy bootlegged. Of were, as of this release I guess. From the original album I love all songs, so no favorites there. The bonus tracks feature single versions of Into The Lens and Run Through The Light. (BTW, Trevor Horn did another version of Into The Lens, together with keyboard player Geoff Downes, on the second Buggles album called Adventures in Modern Recording. They called it I Am A Camera, which is the subtitle here.) But in my opinion they add little value to the original album.
Other bonus tracks are session recordings. This leaves us with 6 other unreleased songs. Have We Really Got… is a studio jam at best. A rough sketch of what could become a song. Same applies to Song no 4. No lyrics or vocals, just instrumental. Dancing Though The Light is Run Through The Light but in a strange dance like fashion. What were they thinking here?
The remaining 3 songs are taken from a 1979 recording session with Jon Andersson and Rick Wakeman present. As the booklet so nicely states, something wasn´t feeling right, so they left… Still, these songs are recognisable Yes material. Just rough, but keep in mind they were working on this material at the time. Being a Yes afficionado myself, I did enjoy hearing these tracks. And as this remaster is available at a bargain price, you should get it if you don´t already own it on CD. I think the 6 songs that form the original Drama release are worth it!
Yesterday and today I spent my available listening time to the 3 CD package that is The Ultimate Collection by Dutch classic prog band Solution. It had been sitting on my want list for quite some time, so I was very anxious to find out how it would work for me.
The first disk was the hardest to get into. It is mainly instrumental music, with a lot of sax. Musically very challenging and competent, but takes more time for me to digest. Disk 2 weighed a little less. Some beautiful melodies and also vocals. Makes it easier to enjoy. The 3d disk is labelled as a bonus disk, but is the most interesting for me. Not only because it contained the only songs I knew before buying this set, but also because this is the most melodic side of Solution. Hey and finally some guitar solo´s! Maybe because a lot of material on this disk is live. It just seems to have a touch more power behind it.
The material on these CD´s sounds excellent, a remastering job done well. Especially considering the time table; 1971 – 1983.
Personal Play tips: French Melodie, On My Own, Black Pearl, It´s Only Just Begun, Runaway
An album that I liked instantly upon first play was Motions of Desire, from Magic Pie. I believe they are from Norway, and recently suffered the loss of all their equipment due to the burning down of their rehearsal room. So hopefully I can encourage some more people to buy one of their records as I believe they deserve it.
Why I like this record?: lot´s of melody, great Hammond playing, riffing guitars, and multi layered vocals always do it for me The way they are able to combine the strengths of bands like Spock´s Beard, Deep Purple or Uriah Heep, with some pop sensibilities puts them high on my favelist. Plus they don´t shy away from playing epic tracks, without making them sound forced. Just lots of light and shade. Oh, and their guitar player knows his way around the frets, awesome!
The production is spot on, so all I have left to say is; find the albums and buy them! Personal play tips: Change, Motions of Desire, Without Knowing Why
Recently I bought some cd’s from Dutch band Kayak. Kinda lost track of them after Periscope Life (1980), but I must say I was very pleasantly surprised. I listened to “Close To the Fire” (2000) and “Coming Up For Air” (2008).
And some more albums are waiting to be heard.
In comparison to the older work I know, the dynamics have improved. By this I mainly speak of the guitar work; it is at times more heavier than I recall. That said; I like it a lot. Adds more bite to the music. Also the voice of singer Cindy Oudshoorn is a welcome addition to the sound of the band. I should mention however that both albums are recorded with a somewhat different cast. But the rest of the band knows what they are doing also. Most players are accomplished musicians and veterans on the scene. Shame drummer Pim Koopman died unexpectedly not so long ago.
Still the trademarks of the band are there; melodic, varied, sometimes even radio friendly songs. But for the proggies amongst us, they still know how to write some decent and varied tunes.
- Close to the Fire:
Close to the Fire, Crusader, Two Wrongs
- Coming up for Air:
Alienation, Man in the Cocoon, Time Stand Still
If you haven’t heard from them in a long time; go check them out again, it’s worth it!