Don’t know about you, but I kinda like it when an artist releases music that is so personal and intimate, it is unique. And for me Janet Feder just did that. I can understand why she writes that previous work happened in her head and this comes from the heart. And even if only 3 from the 9 songs contain her vocals, she speaks volumes with her guitar as well.
With a background in folk and rock, but also classically trained, the tools were already there I guess, but the decision to just be, paved the path for these songs. And don’t expect to be overpowered by technique. When I say intimate, that is what you get. It feels like she is there in the room with you pouring her heart and soul out through her playing or singing.
The album opens with Crows and Ticking Time Bomb, 2 of the vocal tracks. Brooding with atmosphere and suspense, these suck you into the album immediately. Happy Everyday Me is the first instrumental track. Nylon stringed guitar and various sounds that enhance this composition. No Apology contains almost unidentifiable sounds behind another classical guitar piece.
And yes, the playing is impeccable, but what counts most for me is the way this music has been enriched. Janet and her friends succeeded in creating timeless music that touches on a deeper level. That Close indeed!