Another instrumental album. But a whole other affair than my previous post… Tagged as classic prog, but I don´t think that term does this justice.
This I would like to describe as a mix of soundscapes, groove, fusion, and psychedelica. It sounds weird, but it is actually rather hypnotic. The way they change moods, in and between songs, without sounding forced, can only be the work of talent. Sure you hear references here and there (Pink Floyd anyone?) but I feel this is a unique record. At least in my collection. Even the very ugly cover I suspect has a deeper meaning. Not that I became aware of it, but when people create something so out of bounds, yet so addictive, they are likely to take the time to wrap it in something that only adds to their creation. At least I hope…
Hard to name play tips: I think you should listen to this a few times back and forth in order to get into the flow. And if you still don´t get into it, you are maybe just not ready for this. Not for everyday. But qualified to chill out to.
This guy I found out about during his stay in Dream Theater. Live I thought he was a very funny dude, so when he released solo material, I was kinda curious what it would be like. Especially because of some of his friends joing in. In this case, guys like Zakk Wylde, Rusty Cooley, Virgil Donati, or Tony Franklin. His regular bassplayer is Rob Mules. Somehow reminds me of a famous Black Sabbath record…
Anyway, to the music. For people who heard his earlier material: you know what to expect! For those who haven´t: this is very classy, very clever, at times very complex material. Mostly instrumental, it´s a kind of a metal approach to fusion. Having said that, I always find myself enjoying his records because of the quality of all the players involved. And somehow there is always enough groove and melody at hand to be able to connect to the songs. So at one hand I can understand when people say the records are not very different from each other. On the other hand, this is all done with such pleasure and dedication, it is always a joy to hear.
Personal play tips: Antartica, Primal Eleven, So Far Gone.
It took me quite some time to discover this band. Actually, I believe their credibility was proven solid after Threshold (one of my favorite bands) covered their “supermassive black hole”… since then I have become a fan and started buying their albums, including the back catalogue.
Before the release of this album, singer and guitar and keyboard player Matthew Bellamy (the other members are multi talented as well by the way) said it would be their most ambitious project yet. In hindsight I think that is mainly because of the Exogenesis suite. This is a symphony in 3 parts and this album ends with it.
But lets take a look at how the album starts. Uprising is in my book a great eehhmm uplifting song. All the trademarks of this wonderful band are here. Soaring vocals, steady beats, and clever arrangements. Despite Muse being a 3-piece, they are able to make a lot of sound together. I say sound instead of noise, because this is ROCK in capitals. Strong melodies, great instrument handling, and they are capable of avoiding the common roads when it comes to writing. This is why I really dig this band. So now back to the suite. This is definetly new territory. A lot of orchestrations, but still Muse. I am not one to compare albums from a band. In itself, I think this is a record worth buying. If you have their earlier work, don´t hesitate. If not, this is as good a place to start as any.
Personal play tips: Uprising, Resistance, Exogenesis.
Guess y´all must be thinking “huh, whatzupp?” Yeah I know, this is strange. But to explain myself, somewhere I read that this was actually a good rocking album by la Cher.
So when a chance popped up to buy this for a few euro, I just had to buy it in order to listen to it. And does it rock? Naaah, in a safe and smooth 80ties kind of way, it actually does. Nothing wrong with the songwriting here. No wonder with people like Diane Warren, Michael Bolton or Desmond Child on board.
The opening song (If I Could Turn Back time) was a big hit in the day, and actually represents the album quite well. So this is decent pop rock. with melodies that stick in your ears like child candy sticks to clothes. Some songs better than others, but nothing really shocking. In both ways that is. Nevertheless, I can see why fans of rock in that decade own this.
Personal play tips: If I Could Turn Back Time, Heart Of Stone, Emotional Fire.
This album by fellow countrymen Freestone is the first, at least to my knowledge, dealing with the Freemasonry. All art and lyrics form a concept about this perhaps mystical theme.
But as we are here for the music, how about that? I think of this as symphonic pop / rock. It has a constant vibe and a lot of medium tempos, but that may also be considered a flaw. This is a beautiful album in many ways, but musically it is on the safe side. Little hard rocking here. But if quality is your thing, you can´t go wrong with this.
From start to finish this album tries to put a spell on you with it´s melodies and arrangements. The clever use of sax and other instruments here and there, adds to the atmosphere. I think the project (don´t know if this is an actual band, as all music and lyrics are written by Harm Timmerman, who also plays a lot of instruments) was created with a lot of labour and love. The lead singer is by no means bad, but could benefit from a little more bite. On the other hand, as this also applies to the music, it must be a conscious choice. So very classy, but not very ballsy. Nevertheless, I recommend it, as all is done with style.
Personal play tips: Turn The Key, Children Of The Widow, Documentum Intellige,
Though this came highly recommended here and there, I wasn´t sure what to expect. But this proved to be no disappointment and a very intriguing affair.
So what´s cooking here? Well this band mixes a lot of styles, while trying to sound coherent. I don´t think they have everything 100% together though. By using all these influences (think grunting, (weird) soundscapes, clean guitars, heavy riffing, beautiful orchestrations, multiple vocals, melody, melancholy, and so on), this is going to be an eclectic disk. And I must admit I admire the bands guts. A lot of this I actually enjoy (this needs more spins obviously), but like I mentioned before, not everything operates on the same high level. Or I just need to get more into it?
As I believe this is their first effort, I am sure that this band will grow. For now this mix proves a amusing listen and a growing pleasure. For me they could do without the screaming, but time will tell. Normally I don´t compare bands, but in this case I think some references might help. If you consider bands like Pure Reason Revolution, Coheed and Cambria and or Opeth to your liking, give this lot a listening as well. By the way, I have no idea what the story behind the name and all is. If someone out there knows, leave a comment. Also needless to say, these guys do know their way around their instruments. No worries there.
Personal play tips: At Great Odds With…, Movement, Waves Of Ascension.
I must confess I am not a real follower of this band. In fact, besides this, I only own their debut. But I read a lot of good stuff about it, so decided to give it a try.
The first thing I noticed was the voice of singer Eddie Vedder. In my ears he sounds a lot lighter now, thinner even maybe. And I am not sure I think that is a good thing. But on the credo of always listening without prejudice, I gave the album a few spins.
And I think I understand why they get good reviews with this. The songs showcase their musicianship in abundance. Wether they rock out, or play it gently, they pull it off convincingly. Not surprising, the band has been around longer that any of the other grunge bands I believe. Especially the songs with orchestrations in them are beautiful. But no worries, they still know how to rock as well. In my book this is a very short CD though, about 36 minutes and 11 songs. even on Vinyl that is not a lot… But hey, it´s about the quality and not the quantity right. Only the artwork really does nothing for me. Too weird I think. Let us hope that the album closer The End is not a prophecy. This stuff is still too good to disappear.
Personal play tips: Just Breathe, Amongst The Waves, The End.
In my earlier posts about Kayak I already mentioned buying more records from them. Rest assured, this will be the last post on them for a while 😉
The subtitle of this package (2 cd´s and a DVD) is 1973 – 2008, Live in Paradiso. For those of you who don´t know, Paradiso is a concert hall in Amsterdam, situated in a former Church. A nice hall! So from the start we know that Kayak celebrated their 25 years of existence with this concert. And what a concert it was. From the go you get the feeling you missed something if you weren´t there. And I wasn´t, so boy am I glad to be able to listen to this!
A lot of tracks are from the more recent albums, and all well executed. I think their use of male and female vocalists really works well for them. There is a lot of variation between the songs, but even the most quiet pieces are awesome. What a feel. And as they use 2 guitar players now, this sure rocks when it needs to. Time flies by listening to this, and repeated plays are welcomed. So this is quality folks.
This is a stunning show with only highlights. To put it simply: if you like Kayak, buy it. If you once liked Kayak, but are not sure now, buy it anyway. If you think they don´t rock, buy this to prove you wrong.
Just read the unbelievable news that the mighty Ronnie James Dio passed away after fighting cancer for over 6 months. First my condolances to all his family and friends, he shall be missed but never forgotten.
I think the first time I heard him sing was on the Long Live Rock ´n Roll album by Rainbow. He was a powerhouse then, as he was on his most recent output. An unearthy achievement most singers will never be able to reach. The Rainbow album still ranks among my favorites. Rainbow Eyes for instance is a ballad few can match. And the hard rocking tunes are timeless also.
Yes his passing is a great loss to the world. I will keep on listening and he will be entertaining other folks or fighting the dragons, be it in Heaven or Hell… Rest in Peace.
This is one of those records that I can play to death. It´s simply brilliant!
Some may need some time to get accustomed to the lead singer´s voice (a non-typical and fairly low type), but this band will rock your socks off. Melodic, hard rocking songs with keyboards. Trading solo´s between instruments, inventive breaks preventing the material from becoming shallow. Competent musicians, competent songs. Piano breaks, guitar solo´s, groove and the odd symphonic pieces. All executed in style and with a damn fine sound, courtesy of the mighty Pontus Norgren.
What else can I say; this is a no brainer, pretty hard to find, but one worth the time tracking down. buy it!
Personal play tips: Chains Around My Heart, Last Son, Direction.