On to something different now. In respect to my previous post that is. Weapons Of Anew are a new modern metal band who have managed to capture 8 songs under the productional and engineering skills of James Murphy. Not bad gents! They are an experienced 5 piece in the classic mould; voice, bass, drums and 2 guitars.
While listening to this I was wondering for a while where the singing (especially when there were harmonies added) reminded me of. Anyone remember Grenouer? Of course this is more guitar heavy (do not think there was a keyboard anywhere near the sessions) but this also has that slight alternative touch to it. And I must say, the songs are powerful and melodic. Even the sometimes brutal screaming did not bother me all as the band managed to keep it functional.
Yes, from first track Killshot to closer Undone, the band deliver an energetic bunch of songs that are filled to the brim with killer riffs, breaks and flashing solos. Seems they were not out to take prisoners as they fire on all cylinders from the go. And the good part is, I never felt overpowered by a wall of sound. The songs still have room to breathe. Part of that I contribute to the singing, which, as I already mentioned, is for the larger part very melodic. The other reason will be that there is enough variation in approach and arrangements.
Since this release is a 34 minute work, I hope it gathers them enough attention and sales to justify a longer album, would not mind hearing more at all. Congrats!
Another new band whose album has been making many rounds in my CD-player the last weeks. The funny thing is, looking at the band name, the album title or the album art, will probably not give you a clue as to what to expect. Well, here’s where I come in I guess 🙂
The Giant Flying Turtles are a 4 piece band consisting of Calvin Bennet on vocals, upright and electric bass, acoustic guitars and cello, Johnny Young on vocals, piano, keyboards and rhythm guitar, Jim Toscano on drums, percussion and whistle and TJ Jordan on guitar and vocals. There are also some guest on banjo and violin.
Looking at that it seems the guys are able to add a lot of colour. And that would be the needle on the head. This album is filled with songs that cover a broad spectrum of genres. Think everything between Rockabilly, Prog rock, Alternative, Americana, Blues, Swing, Bluegrass and Folk. And while some might be put off by that, those would be missing out!
Because whatever is the root of a song, these guys are able to convince. The songs have great spirit and energy. And I for one admire a band with the balls to just go out and do what they like. Especially when served so expertly. Of course for me personally the more rocking tracks (check One Of A Kind for instance) are closest to my taste, but I have found every track to be enjoyable and just very well done.
I think a lot of people could fall in love with this, so please have a listen!
Intriguing album artwork or? Well, then imagine the first track opening with windy noises and the voice of a storyteller. After over 2 minutes a sequence kicks in and a cow starts to moo. In a disturbing manner. Well it sure kept me on my toes! And then the track really comes to live in a typical prog rock manner with drums, bass, keys and guitar riffing. The first vocals come in after 5 minutes in. No wonder the song (Invasion (636 Gregorian Calendar)) clocks in at over 11 minutes.
Talking of vocals, I noticed that the first couple of tracks somehow sound less convincing that the rest of the CD. Might be me, but it distracted me a little. Maybe because part of the delivery sounds a bit theatrical. This might be because of their Far Eastern roots, but that would be a guess on my part. Anyway, my advice is to keep listening, because there are some tasty things on offer here.
For me, the album really comes alive from track 4, Living The Fast Life. More urgency in all departments it seems. Because make no mistake, even when I had never heard of them before, they have been active since 2001 and have won several prizes in their home country Iran. Since relocating to the US, more people can have the opportunity to get to know the band, and that is a good thing. On offer are 10 tracks and a running time of 67 minutes.
All in all this is an entertaining album with class music and a bit of a special flavour. Check them out and start with track 6, Mandatory Hero.
Ah, yes, the third instalment of Henry Meeuws (songs, keyboards), also known as Medea. And since a lot of people I know are involved, it gives me a lot of pleasure to listen and write about the album. Just dropping some names here: Igor Koopman – drums, Frank de Groot – bass, and on vocals Ernst le Cocq d’Armandville, Joss Mennen, Rob Laarhoven, Sandra Peeters and John “JayCee” Cuijpers. So some rock, some metal, some alternative and some prog coming together.
And ofcourse prog is what is on offer here. From opener Aurora Overture, with a hint of Kansas in the violin, to closer Northern Light. A total of 12 songs and a playing time just short of 70 minutes. The first thing I noticed was the sound of the album. The Rock Inc studio managed to elevate the album into the premier league. It is transparent, with awesome sounding orchestrations, and still enough punch in the guitars to let it rip. And all the vocalists are prominent in the mix.
On to the music then. As you will expect the range of influences is broad. As I mentioned before, the orchestral parts sound very convincing, and they add a lot of sizzle to the songs. Throughout the CD melodies come and go, and whether flute, violin, cello, keyboards or guitar, all are effectively used to add colour.
I am sure no one expects the album to be instant. This needs to be played a couple of times to sink in. And then you have an album that shines. Lush arrangements keep giving you new discoveries. Very well done!
For reasons not disclosed in the press sheet, Guy Paul Thibault has been absent of releasing new music for 17 years. Back in the day he released 5 successful albums, so that makes It’s About Time (duh!) #6. The 10 songs are written, recorded and performed by Thibault, with guest appearances from Shawn Cherry (drums) and David Bradshaw (violin and mandolin).
Opener Here She Comes is a contemporary folk song. Great acoustic guitar and a light footed feel that is easy to catch on to. Misdemeanor is a catchy pop rock tune that will please both the casual listener as well as, well people like me :). Songs like Hills, Tallest Man On Earth, Stay (For Riley) or Saturday Night show a mature writer at work, able to add depth to his songs. And songs like We Just Don’t Care or Saving Grace just plain rock. And then there is still a ballad and a singer/songwriter track. So yes diverse, but all held together by the confident delivery of the man’s voice.
Despite not being familiar with older work, I think that Guy Paul qualifies as an experienced musician who delivers well crafted songs that will appeal to many music lovers. So personally I hope that the next set of songs will not take another 17 years to surface.
I was fairly late to the party after the first Lifesigns album was released in 2013, but after hearing a lot of their songs on the radio, I loved it. (Yes I said radio, my favourite station One World Music plays rock and prog every Friday!) Anyway, when I heard about the new album, I decided to step in and make sure I got this one early. Alas mister postman refused to cooperate, my first copy was broken so John Young (keyboards and vocals) had to send in another one.
But boy, since it arrived safe and sound, it has been making many rounds! And to put it simple; this is another fantastic progressive rock album. I probably like it so much because it not only gives a big nod to all the great music of the past, but still sounds up to date and contemporary. Don’t know if that makes any sense to you, but that is how I feel about it.
So it has the long epic tracks as well as shorter ones, but they all feel authentic and logical. No throwing together a bunch of ideas and see what comes out. This is coherent and given enough thought. And man, the way instrumental parts in for instance Voice In My Head lift the song to an even higher level, amazing.
In my humble opinion anyone serious about progressive rock should own this one, jaw dropping good!
A couple of years have past since the previous album from B.D. Gottfried (vocals, drums, keyboards) landed on my desk. And that was quite an enjoyable affair. And now Through The Dog’s Eyes has been released. Even when you might not be familiar with the name, Gottfried is a seasoned pro who has been around. His writing style is probably best described as pop / rock combined with often witty lyrics. In fact, I guess production wise this album rocks a tad more than before. But that extra bite only adds to the charm.
And charm this has in spades. Every song owns the ability to nest itself in your brain for you to hum along to. And while that might make you think that the songs are predictable and simple, they are not. Every track has an edge to it. A break, a non standard bridge, you name it. But the combination of all the used elements is just working. At least for me they are. From the opening track Something You Weren’t, to the should be a hit Blame It On The Money, to the suspense of Frequencies. Any of the 10 tracks on offer brings something to the table.
So it is safe to say that this is another album that the world should hear. Fingers crossed it is listening…
According to the press sheet Michael Malarkey is an actor, known from The Vampire Diaries. But since I hardly watch TV, I must say I wouldn’t know. So I guess the good thing about that is, being able to listen to this without any prejudice.
First thing I noticed about the album that it is pretty eclectic. Site regulars will probably understand that this counts for bonus points in my book. Second thing is that I think Malarkey can really sing. His dark and fairly low voice has presence and grabs you while delivering his lines. And last but not least; he writes quality songs too and lights them with thoughtful lyrics! And as a bonus; this is a musician not afraid to keep it sparse. Because when all you need to get the massage across is a guitar and a voice, there really is no need to expand in the arrangement.
Don’t worry though, variety is key on the album. Clearly a lot of thought went into the dressing up of the songs on the album. But all songs create an impact. Be it because of the vocal delivery, the sometimes chilling contributions on violin, or because the whole of the instruments just reaches out to touch you.
So the title might refer to a bastard dog, this is far from whimsical. Very moody and beautiful. Music that a lot of people will like if they take the time to soak it in. If you do; make sure to hear Uncomfortably Numb and the title track. Or even better, listen to it as a whole.
I guess John Mitchell (Arena, It Bites, Kino, The Urbane, *Frost, etc.) likes to keep busy. And frankly I do not mind at all. Not only is he a gifted guitar player, but as a singer he also manages to convince. And over time his production skills have been in demand as well. Yet without the proper songs all that is of little use.
And so we now have the second Lonely Robot album to digest. As before, less metal than Threshold, yet of the same progressive and melodic blood. A bit of a concept running through, it seems the man has strange dreams… Or is it just the packaging? Nah, just kidding. On offer on my version are 14 songs of which the first 11 form the actual disc. The extra songs are 2 acoustic versions and a song with Kim Seviour (ex-Touchstone) guesting.
And the album serves songs like the powerful Awakenings, the highly melodic impact of Sigma, the drama of In Floral Green or more powerful riffing in Everglow. We get the groove and feel of False Lights and the … You get it, there will always be something that gets you going. You can be sure there is enough happening to whet your appetite and quench your thirst for melodic prog rock. There is a reason Mitchell is so in demand, he is damn good at what he does!
For me it’s simple, it walks the walk and talks the talk. Go check this!
With a family tree heavily present in politics (senators, governors and even a president), becoming a guitar player is probably not the most obvious career choice. Yet Taft chose that path and never looked back. So after playing and touring with Trey Anastasio (Phish), Sweet Water and Second Coming, he is now releasing his fifth album under his own name. With influences ranging from ZZ-Top to The Cult to Jimi Hendrix.
And while I must confess I had never heard of the guy (sorry man), I must confess that if this album is anything to go by, we have been missing something here in Europe. Or at least I have. Because, even when it speaks of being dedicated to the blues, I have found this to be a pretty bad ass rocking album. And in my book that is a good thing!
So expect the songs to rock and rock with power. Yes, extended solos all over the place, but nothing of what I would consider typical blues. Even if that could be contributed to me never listening to pure blues albums. 🙂 This is 11 songs and over 52 minutes and authentic music, delivered with passion. Very melodic, varied and energetic. No dull slow 12 bar blues that lasts way too long in sight! (Not that there is anything wrong with that if you like it, it’s just not my cup of tea)
A very convincing and pleasant acquaintance, let it rain!