A couple of releases into Alan Simon now (check for instance this or this). And now we have Big Bang playing. And it is definitely something different compared to those before. Not only from a technical point of view, with the press sheet talking about 120 musicians or 200 active tracks per song on average… Or the inclusion of the sound bank of the universe from NASA.
This is indeed a musical odyssey from the origins of our universe to the destiny of planet Earth. And one that marries classical themes and orchestrations with contemporary music like never before in Simon’s work. As far as I know it that is. With a starring role of Supertramp’s John Helliwell on various saxes. So the instrumental pieces prevail and are a showcase of diversity, atmosphere and feeling. Lingering dreamy melodies, sound scapes and bits of rock interweaving. Like in Seven Moons In the Sky, where Roberto Tiranti delivers the vocals. Or on Fools, with Saga’s Michael Sadler. And Pink Floyd fans will embrace The Soul Of The Stars, with great guitar playing by Paolo Ballardini. Because of the less obvious rock side, at first I wasn’t too sure about this album. But the more I played it, the more I fell for it. Diversity, dynamics and combining genres has always been part of Simon’s music and this is no exception. There is a certain grandeur to the themes that will get you hooked, sooner rather than later. Else you can always look at the fantastic space photography present in the art.
This is the second time Olivia Hadjiioannou, better known as OH., makes an appearance here on the blog. The first time was the first ever vinyl here (still is I think) and now she is back with a stunning looking digipack and lush booklet. And this is not the only stunner here. Olivia is a true one woman force. She writes, plays, records, mixes and masters all her music herself, is very into (award winning) video, and if I am not mistaken also models for her art. Truly mindblowing. And speaking of mindblowing, here we have a musician that seems to excel at everything she does. Fluent in drumming, bass, guitars, piano and violin!
So how does that translate to the music on this EP?
Red Lion is opening with her voice (used as an instrument on this release), followed by a slapping bass and then frenetic riffing. She can shred like the best of them. The use of her voice is pretty intriguing throughout. Singing multi layered counter melodies, or dramatic wails, she creates atmosphere for sure. Not an easy introduction maybe, but a colourful and energetic show piece of her abilities. Bee opens with acoustic guitar and proves a song that keeps transforming. Androgyny welcomes you with multi layered vocals before the thrashy riffs take over again. But the combination of vocals and metal again creates something special. Of the 6 tracks, my personal favourite so far is Dragon Kiss. Maybe one of the most melodic pieces, yet still testament of her vivid imagination and skills to pull off amazing musicality.
I can imagine that people get confused because of the frantic pace of change throughout. But I cannot help but be impressed by the creativity on display. Unique!
To put the record straight; the full name of this double disk is Martin Turner ex Wishbone Ash – The Beauty Of Chaos, Live At The Citadel, St. Helens – 26th February 2016. And it is a deluxe 2CD + DVD set. Glad we got that out of the way 😉
And indeed you regular followers of the blog, lots of (ex) Wishbone Ash has been landing in my CD player lately. Not that I mind that much, Argus is a classic record of course. And talking of that, disk 2 features some of that classic Ash tracks with The King Will Come, Warrior and Throw Down The Sword to name a few. But there is a lot more to enjoy on this live album. Some tongue in cheek humour, some fantastic playing, especially from Misha Nikolic who has a great tone in his fingers. And I love songs like Falling Sands (what an enchanting guitar melody) or Interstellar Rockstar. But also the very recognisable harmony singing and dual guitars shine. So the album is very much worthy of your time and money. Even without seeing the DVD yet. No, Martin Turner (bass and lead vocals), Danny Willson (guitar and vocals), Misha Nikolic (guitar) and Tim Brown (drums and vocals) have got a good thing going here. Timeless music.
The boys from The Soul Exchange sure like to keep busy. Ever since coming on my radar in 2016, they keep writing and releasing new music. So this is already release 4, and the third with fabulous singer (and keyboardist) Daniel John in their ranks. Not that I want to short sell the band of course, after all they provide much of the canvas and songs for John to shine on. Another big role is for producer and co-writer and arranger Magnus Ljunqvist.
But on to the album now; 9 regular songs and a bonus track for those lucky enough and a total playing time of 51 minutes. John is now the sole lyricist, with the Von Bell’s, John and Ljunqvist writing the songs. Lyrically the album explores the darker side of the human psyche. Tailor made for Daniel’s emotive delivery. The songs are, as before, a winning combination of classic hard rock with some contemporary metal infused, with emphasis on melody and vocal harmonies. The album sounds big, think Metallica’s black album is a reference. And should modern radio still be playing rock, a lot of songs on here would fit seamlessly in, as they impact already on first listen.
And since the album still gets better with every play, it is safe to say the band have created another winner. Personally I hope the band break in Europe, so we will get a chance at seeing them live. Very very solid, and surely an album to check out!
Peter Banks, is that not the first guitarist of Yes? Indeed he is, he played on their first 2 albums. And what you might not know is that he suggested the name change from Mabel Greer’s Toy shop! This collection contains 3 of his solo albums, namely Instinct, Self-Contained and Reduction.
Now 3 CD’s might sound like an awful lot to digest. But I think you will be surprised should you decide to have a listen. That is if you, like me, never heard them before. Not only is the material at hand of an enormous diversity, it is also larded with intros or short interludes with spoken word that show a keen sense of humour. Back to the music, you will find anything from ambient to shredding, to funky, groovy to progressive here. And I must also admit that I like his guitar sound better than that of his successor in Yes, Steve Howe (who is a fabulous guitarist in his own right of course). Banks shows more of a rock vibe in his playing and sounds, and that suits me just fine. And while I wonder if that diversity might be a reason for some to avoid his music, I was sincerely amazed listening to this. Banks proves to have been an amazing musician and a powerful creative force with the combined abilities of Vai, Satriani and maybe even any other guitarist you can think of.
Should you first want to sample Banks’ talents, there is also an Anthology available in the form of this double disc Be Well, Be Safe, Be Lucky…The Anthology. Disc 1 is a collection of some of his finest work. And disc 2 features a lot of rarities and extended versions. The latter making this release also interesting for the people that already enjoy his music.
For only being familiar with the name, to getting a more deeper insight in this man’s talent, 5 CD’s of discovery for all to enjoy!
How fitting to name your album seafoam, and put a strat in that colour on the cover. Nice touch! What is also nice, is what Greg Hurley is offering us on this debut.
Well debut, it might be his debut album, but in his young days, Hurley spent a lot of time honing his skills on every stage that gave him a home. And now, after years of being inactive (life sometimes gets in the way), he has built a studio and unleashes his work to the unaware public.
And I must say, the man knows how to play and write a decent tune! I guess the songs are a reflection of his influences. And I am confident that The Beatles rank high there. A song like You’re You clearly fits well in the Beatles songbook, and Hold On Tight would sit comfortably on any mid career ELO album (and no, it is not a cover from them). Other influences seem early Santana on songs Where You’re At and Pick It Up or Steely Dan on WiggleRoom. The title track is a wonderful moody instrumental, but actually every track on the album is tasty and well done. Especially considering he played everything himself if I understand correctly.
Bottom line, this release deserves a big audience because the songs will appeal to everyone who appreciates quality pop / rock songs.
Two not so typical Wishbone Ash albums have been released with the “remastered and definitive editions” treatment.
On Twin Barrels Burning (1982), we find Trevor Bolder (Spiders From Mars, Uriah Heep) on bass and vocals. This besides regulars Andy Powell, Laurie Wisefield (both guitar and vocals) and Steve Upton (drums). The regular album holds 3 bonus tracks, bringing the total up to 12 tracks. The second disc features the album, yet with the American remixes. Even when in my mind the original sounds much more American when compared to, say, Argus. 🙂 Since I never heard these albums before, I think they are a solid testament of their time. Still some great songs on it, especially Hold On.
Next one is Raw To The Bone from 1985. The original 10 songs got company from no less than 5 bonus songs, recorded in 1986! The second disc holds 2 live performances with 8 tracks in total, recorded by the BBC. On bass and lead vocals we now get Mervyn ‘Spam’ Spence, whose phenomenal range gives an even more commercial rock vibe to the songs. (The bonus tracks are with Brad Lang on bass and Phil Palmer instead of Wisefield on guitar).
Guess it is safe to say it were trying times for the band, but on their own the albums hold up pretty good in my opinion. Nothing shocking, but then again, I did not grow up with these (you cannot have all). It rocks, and you will always find at least a couple of songs that tickle your fancy…
The fact they are still around, is proof of their will to survive.
Sometimes life as a reviewer is easy. And in this case it is. For those of you who do not know Darryl Way, he is one of the founding members of Curved Air where he delivers the violins. Curved Air recorded a track called Vivaldi some 50 odd years ago and this CD is essentially giving a bit of a rock treatment to the whole of the Four Seasons from the classical composer.
Now a bit of a heads up; when I say rock, in this case that means that bass, drums, rhythm guitars and layers of synthesisers have been added to the movements. The original melodies are still played on violin with only some embellishment in the slower parts.
So what does this re-interpretation leave us with? Well, Way knows how to play and does the music justice. Is it very different? No. Does is rock hard? Again, no, don’t think that was the intention.
This is a well done version, with a bit of extra spice here and there. Nothing more and nothing less. If you like rock and enjoy classical music, this will work since you will be familiar with most of the melodies. If you hate either, avoid. I like this version for what it is.
Now here is a guy that has been making quite a name for himself in recent years. Touring and recording with Dave Kerzner, or playing with some of the biggest names in the biz is surely not a bad thing. Also the fact that Fernando played most of the instruments on this album himself, is only more testament of his talent.
So what do we have here? Out to Sea is a man showing his skills. But instead of showing off, he is translating that into songs. Songs with a capital S, where melodies galore, where the vocals are never missed. With light and dark, so they take you places. Even when I feel a bit equivocal about his tributes to for instance Peter Banks in The Architect, to Focus in De Boerderij or to Roye Albrighton in The Future According To Roye. This because these songs are so damn close to those artists, it’s almost hard to believe they are original. Yet in a way I guess that is a big compliment in itself! Still, for me, focussing on his own inspirations gives us more than enough tasteful songs. Prime examples being The Dream or the 16 plus minute epic Dreaming In Stereo Suite.
All in all a wonderful instrumental prog album that is firmly rooted in the Seventies, from a man blessed with a great sense of melody and the capability to shine on just about every instrument he touches. Go check it!
Well, since the stats on my blog tell me that this is review 1000 (98 classics and 902 regular), it makes me very happy that fate has it that this concerns the debut album from Souls Of Deaf! Do I hear you think Souls Of Deaf? Yes SoD are a new band from the (South of) the Netherlands, so chances are you have not yet met them.
Which is a shame because for me this is easy one of the highlights in the year so far. And not because founder Sander Stappers is a close friend. That would be cheap. No, I love this album because he managed to write 10 songs that offer a fresh take on hard rock and metal from the heydays, modernised it, and stayed far away from standard formulaic songs. And still the tracks have power, sound logical and show a diversity that is remarkable for a new band. The latter may be due to the fact that all the guys involved are no new kids on the heavy block but seasoned musicians, often active in several bands.
I am not gonna talk you through the album, this is one to discover for yourself. And mind you, I said diverse, so don’t go judging it on 1 or 2 songs or some quick sampling. No, this is an album to dig into, listen from start to finish and hit repeat. Only after a couple of spins you will understand the magic at work. The clear and heavy sound of the CD (thanks to Erwin Hermsen from Toneshed) will make enjoying it even more easy.
An amalgam of Guns ‘n Roses, to Rush to Dream Theater to Motörhead to Ozzy, this delivers a kick in the face that will leave you wanting more!