OH, Metallia, 2018

oh - metalliaThis is the second time Olivia Hadjiioannou, better known as OH., makes an appearance here on the blog. The first time was the first ever vinyl here (still is I think) and now she is back with a stunning looking digipack and lush booklet. And this is not the only stunner here. Olivia is a true one woman force. She writes, plays, records, mixes and masters all her music herself, is very into (award winning) video, and if I am not mistaken also models for her art. Truly mindblowing. And speaking of mindblowing, here we have a musician that seems to excel at everything she does. Fluent in drumming, bass, guitars, piano and violin!

So how does that translate to the music on this EP?

Red Lion is opening with her voice (used as an instrument on this release), followed by a slapping bass and then frenetic riffing. She can shred like the best of them. The use of her voice is pretty intriguing throughout. Singing multi layered counter melodies, or dramatic wails, she creates atmosphere for sure. Not an easy introduction maybe, but a colourful and energetic show piece of her abilities. Bee opens with acoustic guitar and proves a song that keeps transforming. Androgyny welcomes you with multi layered vocals before the thrashy riffs take over again. But the combination of vocals and metal again creates something special.
Of the 6 tracks, my personal favourite so far is Dragon Kiss. Maybe one of the most melodic pieces, yet still testament of her vivid imagination and skills to pull off amazing musicality.

I can imagine that people get confused because of the frantic pace of change throughout. But I cannot help but be impressed by the creativity on display. Unique!

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Hillsphere, Florescence, 2018

Hillsphere - FlorescenceLots of prog releases and debuts have been arriving here at YMB HQ, and this one doubles as both qualities apply. Hillsphere are a new Dutch prog rock / metal band and Florescence is their way of saying hello to the world. The band are a 5 piece in a familiar prog band setting. Who have decided they’d like to start with a concept album. Bold move!

The album opens with the beautiful and melancholic title track on keyboards whose only problem is that I would have loved to hear more of it… Next track The Breeding Of Us gives us more insight in what we can expect. Modern synths, heavy guitars, dynamics, riffing and soloing. And a band that cares about melodies, even in instrumental pieces. Next up is Home, which is again instrumental, but like Florescence, it is short even when this time mainly based on ambient synths. On track 4, Our Physical Way Of Speaking, we hear vocals for the first time. And they are a combination of clean melodic singing and in part aggressive screaming. For me they could have been more prominent in the mix, but hey, that is a matter of personal taste. The song itself is again very dynamic, something the band proves to be very good at. Which is of course always a bonus as that opens up every album.

The album has 4 more tracks, with a special mention for closer Clairvoyance which I love to bits. The 8 tracks  and almost 50 minutes of music have proven to be a pleasant listen. Lots of emotions, great playing, melody in abundance, job very well done! Congrats to the Layered Reality label.

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Mile Marker Zero, The Fifth Row, 2018

mile marker zero - the fifth rowHere the first album from Mile Marker Zero, at least the first one I have listened to, as this marks the album that made me aware of them. But as it turns out, they have been around since 2005 and already have released a couple of EP’s and a full length in 2009.

And maybe that bit of history explains why the band sounds so mature. Everything on the album has a thought behind it it seems, and the result is, simply put, quite mindblowing.
Yes I can honestly say that the modern prog on offer is having a very positive effect on how I feel when I listen to it. Even when I am bad with comparisons, I regard it a mix of, say, Coheed & Cambria, 30 Seconds To  Mars, a bit of Rush and Spocks Beard, and with the late Chris Squire playing bass. But the best thing is, they have managed to avoid sounding like any of them, and created their own identity.
And the energy pouring from a track like The Architect is just awesome. The riffs and the melodies hook you in and refuse to let go. And then to end it with a bit of violin playing over a kind of film soundtrack, just great.

I could go on and on about how I love this CD, but my advice to you is: if you consider yourself to be serious about modern exponents of prog, then you MUST hear this album. Killer.

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Weend’O, Time Of Awakening, 2018

weend'o - time of awakeningAh, a French band. And with a female vocalist, should be interesting. Especially when the press sheet talks about a subtle (!) mix of rock, atmospheric prog and metal. Think Pink Floyd mixed with Tool with Anneke van Giersbergen singing.

Well I am not so sure about the name dropping, but what I am sure about is that the band did manage to pull off an interesting album that is indeed succeeding in mixing atmosphere and rock. With a message calling out to keep faith and hope in a world in conflict, as an added bonus.

In true progressive style, the album holds 3 parts of Time Of Awakening, a seperate track in Angel Dust and then 2 parts of Elea.. Together the 3 part title track clocks in at 20 minutes and is a showcase of the styles and talent present in the band. I am not sure about the history of the band, but it all sounds very mature. Lots of dynamics. And they can rock too, with the transparent voice of Laetitia Chaudemanche (who also wrote the lyrics and played keyboards) able to shine over anything the band throws at her. Talking of the band, Terence Nguyen Van has a crisp guitar sound and plays in service to the song, even when it becomes clear he is a gifted player. Bass is provided by Maxime Rami and Nathanaël Buis drummed and created the beautiful artwork. Together they lay down a solid foundation.

All in all a very pleasant surprise, a very moody and melodic album. Will be interesting to see how they develop!

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Overwind, I Can Do It Again, 2018

overwind - I can do it againNot sure there are many bands consisting of Russian musicians and a Spanish singer, but this is one. And to me Diego Teksuo seems a find too, as I quite like his voice and melodies. And he needs to be, because he is accompanied by a band that likes to throw a mix of progressive metal, power metal and sometimes even some extreme vocals at him.

To me the result is an album that is mature and professional and can compete easily with anything within the genre that is more known in our western world. All 11 songs clock around 4 minutes so come across as focused and energetic. Considering they are varied too, there is never a dull moment. And despite the sometimes frantic passages, all songs have memorable melodies than makes them easy to listen to. To such extent that even the harsh vocals do not bother me. The band is very tight, with Anton Emelyanov’s guitar providing tasty licks and solos over the foundation laid down by Misha Gigava (bass) and Sergey Krasnozhen (drums). There are also some additional keyboards and guest vocals, to add extra dimensions to the arrangements.

A very pleasant surprise, all songs are good and some are excellent, with my personal favourites being Sleepwalker, Dancing Spirits and Get Over Crisis.

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The Stranger, Self Titled, 2018

The Stranger - The StrangerAlas I have not received any info on who the Stranger is. All I know is that he or she (probably he) is from Burbank California and wrote all the melodies and handled the drums and synths on this release. Tim Lawrence added guitars and bass and mixed and mastered the album. Or maybe it is an extended EP, with 8 tracks clocking in at  35 minutes.

Anyway, what we have here is a modern metal album. The modern aspect being that part of the singing is of the aggressive type. A bit metalcore or screamo I think (sorry, you should know by now that genre tagging isn’t my forte). But don’t let that prevent you from listening in, overall this is a melodic metal album with some progressive accents and 2 piano pieces too!
Opening is the track Enough, high energy drumming with keyboards adding light to the dark riffs on guitar. Good introduction! While You Can continues in the same vein. Scarlet Moon is one of the longer tracks (almost 5 minutes) with again a by now familiar synth sound. Track 5 is called The Difference and is just piano and voice. Actually nice to have a break here, after 4 full on songs. The piano sound is rich and full but with the right dynamics to support the emotional vocal delivery. From the last 3 songs the first 2 are again heavy yet melodic and closer Ghost is another piano and voice song.

Overall a nice effort to welcome The Stranger into the world of music. For me a little more variation in synth sounds would be good, and I think the lead voice is good enough to have a little more presence in the mix.

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Cryptic Nature, Pandor, 2017

cryptic nature - pandorTalking about a labour of love; apparently it took Koos Thönissen (the full name of the project is Koos J. Thönissen’s Cryptic Nature) some 8 years to finish this double album! From writing the story (a fantasy tale about dragons, unicorns and other creatures), to translating that into 14 songs and finding the right people to add to his creations. So with guests like Huw Lloyd Jones, Sascha Burchardt, Emmelie van Deurzen, Jacqueline van Elsbergen and Cathy van der Valk on vocals, Jeroen van den Biggelaar on a guitar solo or Ron van Rhee on flutes, Koos set out to make his dreams come true. All this meaning he performed all the other instruments himself! Or as he puts it himself, it was a steep learning curve, but so worth it.

For this album it is important to know the context of a song. Thankfully we have a storyteller (Ian Jillings) to guide us. So from the opening sequences of A Dragon’s Tale, the grandeur of Aenoor, the playfull and catchy Glynyd, to the much more extreme Gol Matoo / Meteor Impact or Ael Hathor / Nebuccor Captured, all songs serve a purpose and are shaped to recreate the vision. And it has to be said, a lot of time must have gone into creating the soundscapes used throughout the album. Be it horses, the evil Molgar, or other elements, the music and all around it somehow seem very visual.
This also means the diversity on the album is enormous. From soft, almost folky, to melodic progressive metal to ambient like parts to extreme vocals. In that respect one could compare this to for instance the work of Ayreon!

The culmination of all that hard work was that the album was chosen as one of the best concept albums of 2017 by Dutch radio show Progressive X Grooves, literally on its release day. One to check for sure, for instance via this video:

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TDW, The Antithetic Affiliation, 2017

tdw - the anthithetic affiliationAnd here we have Tom de Wit, a.k.a. TDW returning. With a double disc no less. And there is also a special edition with an added bonus acoustic live DVD. Another change is the inclusion of a band, Dreamwalkers Inc., making this an octet (yes, that is 8 people). Besides probably making every stage seem crowded, I guess there are many benefits for having a band perform your songs. More instruments (violin!) and diversity, more vocals and perhaps even more ideas to enrich your musical concepts.

So where does this leave us? Well disc 1 is called The Idealist, or the light disc. Disc 2 is The Cynic, so the dark side. Every CD holds 4 songs, with one of those being of epic (22 minutes+) proportion. Total play time is over 80 minutes, so you are definitely in for a ride! It’s been a couple of years since his previous release, but if memory serves me right, this sounds a couple of notches better. I also think Tom sounds more confident with his singing now, but that might be imagining on my part.
Since this falls into prog metal territory, y’all know what the genre standards are. And all the boxes are ticked. While this music always requires repeated plays to show its true colours, I think Tom and band deliver in spades. From big, almost operatic parts, to thrashy speed metal, to fragile fragments and everything you could imagine in between. Solo’s in abundance of course, we do want them to show off a bit now don’t we?

All kidding aside, I say hats off to TDW and Dreamwalkers Inc.. Impressive from start to finish and something anyone serious about the genre needs to digest.

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Leprous, Malina, 2017

leprous - malinaThis is the third time Leprous are featured here. And reading back to what I wrote about 2013 album Coal, (and yes, I did listen to The Congregation from 2015 as well, just never got around to write about it) it seems that I could state about the same thing here. But, to avoid that people think this is “just a repeat exercise”, that is not the way to go. Because then I would really be selling another magnificent prog metal album short.

Because make no mistake, the ingredients might be the same, but Leprous are just too damn good to write the same song twice. They still manage to deliver highly addictive melodies over intricate arrangements that have more twists and turns than your average Sicilian mountain trip. The rhythmic details in their music are still unpredictable. The album still rocks without sounding over the top heavy.
Maybe they have become even more focused on the song and thus manage to create an even bigger impact. And I do think there are some new experiments here and there. Yet I do not think that it is of much use to over analyse. My only criticism being that the beautiful booklet does not mention any contact info for the band itself…

For me another clear winner from an band that still manages to excite. A damn good prog metal album that needs to be heard by anyone serious about the genre. No looking back to the greats of the Seventies, but a band boldly moving forward. Love it!

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Ayreon, The Source, 2017

ayreon - the sourceThe beauty of every release of Ayreon is that they are fairly simple to review.  I mean; on one hand you know what you are going to get. And on the other hand, every album is as fresh and exciting as the one before.

So you expect nothing less than fantastic guest vocalists. On this double album from for instance Tommy Karevik, James LaBrie, Michael Mills, Simone Simons, Nils K. Rue and many more. You rely on the killer drums from Ed Warby. You look forward to some flashing guest spots with exquisite solos from in this case Guthrie Govan, Marcel Coenen or Paul Gilbert. You slightly hope for additions on less obvious instruments like violin or flutes. And of course, the man himself writing another bunch of killer songs with over the top lyrics wrapped in memorable melodies and infectious riffs. There will always be light and dark in the music from Arjen and there will always be quality control before any note is made public. Also the artwork is always top notch.

So no, I cannot imagine that anyone who is into melodic metal with a lot of progressive overtones can turn away from an Ayreon release. In my mind it is not necessary to discuss songs. Just put the album on and hit play. And repeat. And repeat. And… Enjoy the maestro at work…

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