This is the debut EP from this young Dutch 4 piece. A singer, a drummer, a bass player and a guitarist screams rock doesn’t it? Well yeah, sometimes life is that simple 🙂 There are 5 tracks on this digipack and a good 20 minutes of music.
While listening I sometimes got a bit of a punk energy from the band. The sound is a bit rough around the edges, but I guess that is intentional. For me the drums could do with a bit more power in the mix and the bass sounds a little lightweight in my humble opinion. Or maybe the vocals and guitar are a tad too prominent? Let’s say tastes differ.
And while the singer already puts a lot of swagger in his performance, with a couple more years of experience his projection will get even better. Nice little Robert Plant (Led Zeppelin) reference in closing track Rockin’ Machine by the way.
Promising first effort so look out for their new album, which they will be recording shortly.
When you play over 200 shows per year and still manage to record a new album, you must be dedicated to your art. So welcome back Guy Paul Thibault to these pages. And while it took 17 years to release predecessor It’s About Time, this one took only 2 years.
But many things I wrote about then, still apply now. The Road Between is as diverse and varied as before and carried and held together by the confident vocal performance of Thibault.
But this time I also want to mention his guitar playing. Especially his clean stratocaster tones in tracks like Who Are You or Don’t See Me Cry are worth noting. The latter strangely reminds me of Robert Cray’s Strong Persuader by the way.
Stand out tracks for me are Dangerous Strangers and Talk To Me. But those are amongst the more rocking material on offer, and that remains the more natural environment for me. Especially when compared to the country twang in Take Me. Then again, No One Understands is a pretty good ballad!
Oh, I should also mention that, besides drums, percussion and backing vocals, Thibault did all the rest himself.
Pleasant, solid and enjoyable are fitting words for this collection of tracks.
Third album from this London (UK) based outfit and the second one to hit these pages. If you look at my review of previous album Lie, you will find that I quite liked the outcome. So it was really exciting to receive this new album, knowing that the guys still strive to deliver an interesting album, and do not care for singles or EP’s. Not that there is anything wrong with that, but I am just more into albums myself too.
Last time I might have called it progressive rock, but I think a better, albeit more generic, term to describe their music is rock. Because the music goes places, but at the core feels like it is based on rock principles.
So don’t be scared if at one song you recall 80’s new wave, then pop rock, then a slice of authentic rhythm and blues (the real kind, not the plastic r&b crap) and of course there are proggy elements throughout too.
These guys never seize to amaze me with blending all these influences and still make sense. Always with a good hook, a catchy chorus or a riff that grabs your attention, so never a dull moment on this.
Simply put, another album that sounds fresh and diverse, and another one I will be playing for years to come. Well done sirs!
From Polish coastal city of ships, Gdansk, comes Spitfish. Despite being a “new” band, it’s members describe themselves as experienced. They are a trio, with David Zwolan on vocals, bass and synths, Pawel Kwagz on guitar and Jedrzej Antkewicz on drums. Yeah, I had not heard of them before either.
The CD holds 7 tracks and almost 28 minutes of music, making it more of an extended EP or mini album. But it’s the music that counts, so let’s take a look.
Opener Into The Void is a quite misleading half minute intro, built on sequencing and a mellotron type sound. But when it bursts into second track Grim Suspiria, we hear what the band is really about. Powerful guitar riffs, pounding drums and an energy that harkens back to punk. And it must be said, the album does sound mature. It is well played and recorded, and the songs are delivered with swagger and bravado.
Another good thing about them is that the music is well put together. They got hooks and melody. By using dynamics in their arrangements, the band also avoid sounding like a one trick pony. A good example is Swallow The Dust, with it’s soft intro and a verse that builds up the tension before they set loose in the chorus.
Despite already owning all regular Toto albums, I still thought this would make me a nice present from the kids for father’s day. So they did 🙂
And while listening to all these albums I know so well, I did find that the remasters of especially the first 7 albums breathe new life into them. Because in all honesty I have always loved the music, but the production always seemed very smooth. And if my ears and memory do not fool me, these new versions have more punch, especially in the drums and the guitars. And as a bonus, some discs contain tracks I did not yet have too!
But the main reason for wanting to have this 13 CD collection was of course the inclusion of the Live In Tokyo 1980 EP and the Old Is New CD. The Live EP has 5 songs, 3 from one of my favourite Toto albums Hydra, and Tale Of A Man, whose studio version would not surface until the XX release. It ends with Runaway, a new David Paich song (for me at least). Great rocker that went down a storm.
Some tracks from Old Is New already have been released as singles. On these tracks the band revisit old recordings they for some reason never finished (that include many past members like the Porcaro brothers), rewrote parts or added them, fresh lyrics and vocal melodies by Joseph Williams and voilà. An album that sounds like Toto, past or present… (pun intended). Turned out great I feel!
Well, then on to some remarks; sadly the CD box does not include the liner notes from Andrew McNeice that where present in the full on version (including vinyl). And 1 album is missing from this collection; the Dune soundtrack, so it is in fact “(almost) All In”. ( I do not reckon the various live albums and their covers album Through The Looking Glass are candidates for this box). Also, Hydra comes as a mini vinyl replica, all others are wallet versions (some with such small print my old eyes sadly can hardly read the song titles).
But this is minor, the music is and will stay timeless!
I cannot help but smile while listening to this debut from Danish musician Ronny Morris. Not because of the beautiful and a bit mysterious artwork. Not because of silly lyrics, or anything like that.
No I smile because this album keeps reminding me why I like music. This guy obviously creates for the love of art. And not because of stupid things like fame, winning TV competitions, reality TV, etc.
But even if you do not fall for that, there are lots of reasons why you should check out this album. First; it is a damn good pop rock album with tons of moody songs that reach out to your soul and heart. Morris also has a fine voice with that bit of edge that many people find attractive. Also the performances and production are top notch.
Another reason is that this is produced in a climate neutral way. First time I ever heard about that, and, being a firm believer we are here to make sure our children also have a planet to live on, a worthy cause.
And last but not least, even when all songs are accessible, by no means they are carbon copies of things you have heard a thousand times before. If I would be forced to mention a reference, it would be something like Bryan Adams met Donald Fagen with a bit of Beatles thrown in for good measure. Also the sophisticated sound reminds me a bit of 3rd Matinee, but that is a reference not all too many will understand.
Most important thing is you go listen to this album, it truly deserves your attention.
Talking about never judge a book, ehr CD by the cover. Don’t know about you, but when I put this CD in the player I was kinda expecting some sleazy garage type punk hardcore or something like that. Turns out this is anything but!
Reading up a bit, I found that this is a trio of sisters from Sweden that, on the promise of a record contract, moved to the US. After some ups and downs they did record an album worth of songs, but things got complicated once more. In the end they managed to get a large part of the songs of this album back in their hands and decided to release them themselves.
So now we are treated to the pop rock that is Baskery. Alas I do not know anything from the musicians, but at least my guess is that the sisters are singing. And they glue well together too. A song like Cactus Baby is a fine example of how they combine their vocal prowess with a pop rock backing.
It must be said, music like this ought to be heard by many more people. This sounds like real people making real music. And making it sound “commercial” without adding way to much sugar…
When the first song was playing, I was suddenly thinking “have U2 gone new wave?” But then I remembered I was listening to the latest album by Norwegian band Ljungblut, with the mysterious name Villa Carlotta 5959 and it is the sixth release.
From the press sheet I found that Ljungblut started as an outlet for the musical ideas of Kim Ljung (Seigmen / Zeromancer) and this has slowly developed into a 5 man band. This album is sung in Norwegian and closes a trio of albums. And I guess a remarkable thing about it is that, while I do not understand one word, I still connect to the music. Yes, more prove that music is THE universal language.
Overall the songs are melancholic of nature. Varying in tempo and dynamics, but melancholic. Imagine travelling alone along the coastal fjords in Norway: you will enjoy the beautiful and changing scenery, but it is still cold. Not that these tracks will leave you cold mind you. With it’s organic sound and the feelings pouring through, this will warm your heart and soul.
In the opening I referred to U2, this because the voice of the singer and a bit of the guitar sound. Yet the music is in general far more keyboard heavy, hence the new wave reference. However, there are still guitars used throughout, so it remains a bit in the rock genre.
Pretty sure this is an album that many people would dig, so give it a listen!
Another album that has been playing for quite a while here at YMB HQ, is the debut from NYC band Peak. Consisting of Jeremy Hilliard on guitar/ vocals, Otis Williams on keys/ vocals, Eric Thachuck on bass and on drums Dale Paddyfote, who is replaced by John Venezia for live shows. Hilliard is the main songwriter.
What is really nice about the album, is that it is an obvious melting pot of influences that may seem far fetched, yet the band make them work. Think of funk, blues, fusion, dance music and rock. Or as Jimi Hendrix, Steely Dan and Chic having a coming together, wooing the crowd with a vibrant mix of songs, sounds and beats.
Yes the album moves around with the various tracks. But when it is over, I cannot help but think that it was a damn fine listen that just made me feel good. And upon listening closer, it is also clear that underneath all those positive vibes, is a band that knows how to play and treats you with little musical accents and arrangements that show their ability.
So if you should need more prove that it is possible to create independent music that is easy on the ears, sounds good, is suited for a large audience, and is still filled to the brim with class musicianship, look no further.
With part 4 the Cellar Dwellers are closing their Junkyard Chronicles. And have completed the picture!
In the meantime I have seen the band live, and they are a formidable force. Their combination of rock, metal and punk energy is sure to go down well with many a crowd.
On this EP 6 songs this time. Shut Up is another ballsy rocker that they do so well. Furniture, is a short little steamroller where their punk influences really come to the fore. Take It is a Black Sabbath influenced heavy metal punch. At least you think so, until they suddenly change direction and take off with speed and determination. She’s A Loser is back on the metal track and a menacing at that. Song About Nothing is slightly more commercial, great riffs and melodies throughout, catch the video below. The EP closes with Rock ‘n Roll Noise, which sees them in their more classic rock ‘n metal mode.
Over 4 EP’s and 21 tracks, Cellar Dwellers have proven to rise to the challenge. Will be interesting to see where they are heading next…