Third album from this London (UK) based outfit and the second one to hit these pages. If you look at my review of previous album Lie, you will find that I quite liked the outcome. So it was really exciting to receive this new album, knowing that the guys still strive to deliver an interesting album, and do not care for singles or EP’s. Not that there is anything wrong with that, but I am just more into albums myself too.
Last time I might have called it progressive rock, but I think a better, albeit more generic, term to describe their music is rock. Because the music goes places, but at the core feels like it is based on rock principles.
So don’t be scared if at one song you recall 80’s new wave, then pop rock, then a slice of authentic rhythm and blues (the real kind, not the plastic r&b crap) and of course there are proggy elements throughout too.
These guys never seize to amaze me with blending all these influences and still make sense. Always with a good hook, a catchy chorus or a riff that grabs your attention, so never a dull moment on this.
Simply put, another album that sounds fresh and diverse, and another one I will be playing for years to come. Well done sirs!
Oh yeah, I cannot help but like a band who clearly state they love albums and respect the album as an art form. That’s the spirit boys! So hailing from London UK we have this quartet and their second album (after 2014’s Ground). On it you will find 12 songs with a total running time of 46 minutes. In a way one could consider this as an art-rock or prog band. But actually that would be selling them short as the songs vary too much to put into one category. On the other hand, that might just be a very progressive thing…
Listening to the album I was hooked from the first bars of I Hear Drums. Call it infectious, call it catchy, call it what you like, it is a damn clever way to start. From a bit of distance it is quite remarkable how 4 guys can deliver music so diverse and still sound spot on in every second of it. Whether it is a more elaborate track like Superman In The Silence, the almost Johnny Cash sounding Fight or the almost New Wave sounding song like Hello. And if you now think this is a patchy work, forget it. Don’t know how they do it, but nothing seems out of place here.
So there you go, the album as an art form and The Sighs Of Monsters as the advocate, I love it.